LISTEN/VISION 04, Brooklyn - June 9th, 2008
LISTEN/VISION co-produced with Volume Projects is very happy to announce the first NYC edition of the LISTEN/VISION event series. This June 9th event at Monkeytown presents exclusive LISTEN/VISION pieces by Sawako, Greg Davis, David Kwan, Frank Bretschneider and Nate Boyce. Come celebrate as Overlap goes national!
Sawako is a Tokyo/NYC-based sound sculptor who understands the value of dynamics and the power of silence. She culls sounds from everyday life — field recordings, instruments, vocal and electronic sounds — and sets them floating in a digital space imbued with organic textures. Her unique sonic world has been called “post romantic sound” by Boston’s Weekly Dig.
http://www.12k.com/sawako.html
DAVID KWAN - “SOLARIS” - (2006), 10:07 min.
Kwan has presented work at the Berkeley Art Museum, Pacific Film Archive, Headlands Center for the Arts, Artist Television Access, The Lab, and Mission 17 in San Francisco; Jack Straw New Media Gallery in Seattle; Akademie Schloss Solitude in Stuttgart; and Baracke am Deustchen Theater in Berlin. He received a BA in Art Practice from UC Berkeley and an MFA in Electronic Music from Mills College where he teaches music, art and intermedia.
FRANK BRETSCHNEIDER - “RHYTHM EXP” (2007), 8:09 min.
Frank Bretschneider works as a musician, composer and video artist in Berlin. After the fall of the wall, he co-founded the record label Rastermusic which merged with Carsten Nicolai’s Noton to form Raster-Noton in 1999.
NATE BOYCE - “Plasma Wielder” (2008), 10:00 min.
Nate Boyce is an artist and musician who creates perceptually disorienting and kinetically charged audiovisual works that take the shape of musical compositions. Influenced by the techniques early video art and the 1960’s structural film movement, Boyce employs a customized analog/digital hybrid processing and synthesis system based on modified consumer video gear.
Using control voltages from an analog synth to sequence analog video feedback, Plasma Wielder produces trance-inducing audiovisual polyrhythms which interpret the phenomenological reduction of the video signal as a temporally malleable material.





(No Ratings Yet)
(1 votes, average: 1 out of 1)


Fivestar's Podcast
Subscribe in Podcast Ready 
















